Tin Quart with Honey
(20" x 30", oil on canvas)

As I recently wrote, one painting often leads to the next. I really enjoyed the palette of last week's piece and decided to use it again in a larger piece. I love the old tin quart used here. The dull patina reflects just enough of the local colour, mainly the blue cloth, that I feel it holds the colour composition together.

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Breakfast with Honey
(18" x 24", oil on canvas)

Of late, I find myself having to make a conscious decision each morning to leave behind the dreary headlines of gloom and doom and try to create an oasis of well-being with my compositions. "Breakfast with Honey" is a peaceful slice of life that I hope will bring to mind the accessible beauty that makes up our days.

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Adagio
(18" x 24", oil on canvas)

Although I grew up on a steady diet of rock music, classical is all that I play in the studio. Classical music seems to slow my heart rate and allows me long periods of concentration, so instead of singing along with Freddy Mercury I devote all my attention to the canvas. The name of this painting comes from a recent personal favourite, Adagio en sol mineur by Tomaso Albinoni. Adagio, meaning "a tempo having slow movement; restful at ease", seemed the perfect title for this quiet piece.

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Red Squares: Red Grapes and Pomegranate
(12" x 12" each, oil on canvas)

Here are two more additions to the new series of small canvases. My work takes a good six months to cure before I am able to varnish and ship out to galleries. During this drying period I often frame and hang work in my home to see how well it "shows". While these pieces are great on their own, they pack a really nice punch when hung as a group.

If you’d like to be included on my Painting of the Week email list please write me at daniele@DanieleLemieux.com.